Father John Misty I Love You Honeybear (album) chords

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I Love You Honeybear (album) by Father John Misty

    ____________________________
   /                            /
  /    Father John Misty       /
 /   I Love You, Honeybear    /
/____________________________/


Since I now happen to have transcribed all the songs separately, I might as well collect
them in this 'album tab'...


                                           Jon Sebastian Frederiksen - 15th /February /15
             Just mail me at [email protected] with questions, comments and corrections!


*****************************************************************************************



 LAYOUT
This is all designed to be copy-pasted into Microsoft Word, font Courier New, size 9.



 THE ACOUSTIC GUITAR
Be default, Josh tunes his acoustic guitar down one full step, that is 2 semi-tones,
from the standard tuning (E A D G B e), down to (D G C F A d).

To get a better sound in this low tuning, you might want to put thicker strings on
your guitar. Thicker strings simple voice the lower register better.



 THE NOTATION
Josh Tillman's main musical instrument is his acoustic guitar play, strumming pretty
simple chords, and the full band arrangements are centered around this. So, to get to
the bottom of the songs, it is obvious to begin with Josh's guitar chords. And since
these always seem to fit neatly into bars, this is the most simple, clear and intuitive
way of notating this music. (I of course utilize tabs when necessary.)

When there are distinct and clear strumming patterns, I will include those.
Otherwise, just listen to the record and strum along, carefree as he does.

One "bar" is simply the time passing during every 4 beats, when the time is 4/4.
Usually every bar matches up with one chord, so I take it to be very intuitive.

One bar is the same thing notated either way:      | Dm   |      Dm
                                                                +=---=---=---=---+

For good measure, I will include this basic information:
 key:   Indicates the general tonal key of the song.
 time:  Indicates the time signature of the song, always 4/4 (including half bars).
 tempo: Indicates the speed/tempo of the song.
        For example, "Q=70 bpm" means "Quarter notes equal to 70 beats per minute"



 TRACK LIST
All songs composed by Josh Tillman.

    1.  I Love You, Honeybear
    2.  Chateau Lobby #4 (in C for Two Virgins)
    3.  True Affections
    4.  The Night Josh Tillman Came to Our Apartment
    5.  When You're Smiling and Astride Me
    6.  Nothing Good Ever Happens at the Goddamn Thirsty Crow
    7.  Strange Encounter
    8.  The Ideal Husband
    9.  Bored in the USA
   10.  Holy Shit
   11.  I Went to the Store One Day


*****************************************************************************************


1. _________________________
  /                         /
 /  I Love You, Honeybear  /
/_________________________/


 key:   Bb major
 time:  4/4, shuffled
 tempo: Q=70 bpm


Josh tunes his acoustic guitar down one full step (D G C F A D).

         Bb        Dm*         Gm         A+       Adim7        A
       ___o_o     o__ooo     xo___o     x__oox     x____x     xo___o
       ||||●|     ||||||     ||||●|     ||●|||     |||●||     ||||||
       ||●|||     |●●|||     ||●●||     |●||||     |●||||     ||●●●|
       ●●||||     ||||||     ||||||     ||||||     ||●|●|     ||||||
       ||||||     ||||||     ||||||     ||||||     ||||||     ||||||

             Ebmaj7       F7         D7         F        Ebdim
             x____o     ___o_x     o_o_oo     _xooo_     x___ox
             ||||●|     ||||||     |||●||     ||||||     |||●||
             |||●||     |●||||     |●||||     ||||||     |●||||
             |●●|||     ●|●|●|     ||||||     ●||||●     ||●|||
             ||||||     ||||||     ||||||     ||||||     ||||||



 *Every time there is a Dm chord, he adds this small fill:

      Dm         (Dsus4)
      1   + 2   + 3   + 4   +
     |0-----0-----------0---0-|
     |0-----0-----------0---0-|
     |0-----0---0-2-----0---0-|
     |2-----2---2-2-----2---2-|
     |2-----2---2-2-----2---2-|
     |0-----0---0-0-----0---0-|

------------------------------------------------------------------------------




INTRO
  Bb               Dm               Gm               A+              2x
+:=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---:+



VERSE
  Bb               Dm               Gm               A+              2x
+:=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---:+


  Adim7   Bb       Gm              3x
+:=---=---=---=---+=---=---=---=---:+


  G
 +=---=---=---=---+


  Ebmaj7           Adim7   Bb      2x
+:=---=---=---=---+=---=---=---=---:+


  F7               F7      D7       Ebmaj7 (Play this bar twice in the second verse.)
 +=---=---=---=---+=---=---=---=---+=---=---=---=---+

 (2/4)                     (2/4)
  Dm       Gm               F        Ebmaj7           Ebdim
 +=---=---+=---=---=---=---+=---=---+=---=---=---=---+=---=---=---=---+


  Bb               Dm               Gm               A+
 +=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+




VERSE (omit the repetition of the first line)




OUTRO (repeat these bars fading out, or end on Bb)

  Bb               Dm               Gm               A+
+:=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---:+




 LYRICS
**********

Honeybear, honeybear, honeybear
Mascara, blood, ash, and cum
on the Rorschach sheets where we make love

Honeybear, honeybear, honeybear
Fuck the world
Damn straight, malaise
It may be just us who feel this way

   But don't ever doubt this
   My steadfast conviction
   My love you're the one I want to watch the ship go down with
   The future can't be real
   I barely know how long a moment is
   Unless we're naked getting high on the mattress
   While the global market crashes
   And debt fills the streets with garden variety oblivious
   You grab my hand and say in I-told-you-so voice:
   "It's just how we expected"
   Everything is doomed
   and nothing will be spared
   Oh, I love you honeybear

Honeybear, honeybear, honeybear

   You're bent over the altar
   And the neighbors are complaining
   That the misanthropes next door are probably conceiving a Daemon
   Don't they see the darkness rising
   Good luck fingering oblivion
   We're getting out now while we can
   You're welcome boys
   Have the last of the smokes and chicken
   One Cadillac will do to get us out to where we're going
   I brought my mother's depression
   You've got your father's scorn
   And a wayward and schizophrenia
   But everything is fine
   Don't give into despair
   Cause I love you honeybear

Honeybear, honeybear, honeybear




*****************************************************************************************


2. ___________________________________________
  /                                           /
 /  Chateau Lobby #4 (in C for Two Virgins)  /
/___________________________________________/


 key:   C major
 time:  4/4
 tempo: Q=93 bpm


Josh tunes his acoustic guitar to an open C6-tuning (C G C E A C).

               C          Dm         F          G7         Em
             ooo__o     ____oo     ______     ______     ____oo
             ||||||     |||●||     ::::::     ::::::     ||||||
             ||||||     ●●●|||    5●●●●●●    7●●●●●●     ||||||
             |||●●|     ||||||     ||||||     ||||||     |||●||
             ||||||     ||||||     ||||||     ||||||     ●●●|||


Another option of his is tuning down one full step (D G C F A D).

             xxo___     o__ooo     _xooo_     xo_o_o     ______
             ||||||     ||||||     ||||||     ||||||     ||||||
             |||●|●     |●●|||     ||||||     ||●|●|     ●--●●●
             ||||●|     ||||||     ●||||●     ||||||     ||||||
             ||||||     ||||||     ||||||     ||||||     |●●|||



------------------------------------------------------------------------------


                   | F      |

 Verse:            | C      | Dm     | F      | G7     |
                   | C      | Dm     | F      | G7     |


 Chorus:           | F      | F      | G7     | G7  Em |
                   | F      | F      | G7     | G7     | 
                   | G7     | G7     |

 Verse


 Chorus



 Bridge:           | Dm     | Dm     | Em     | Em     |
                   | F      | F      | G7     | G7     |


 Verse:             trumpet-solo


 Chorus            (then end on F)





 trumpet-solo for guitar in standard tuning:
 C                        Dm
|------------------------|---------------------------|
|--13-13-13-13-15~--12-13|---------------------------|
|------------------------|14-------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|

 F                        G7
|------------------------|---------------------------|
|---15-15-15-15--13------|17~----------------13~-----|
|--------------------14--|---------12-14-------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|

 C                        Dm
|---12-12-12-12-13-10-12-|---------------------------|
|---13-13-13-13-15-12-13-|13~------------------------|
|------------------------|14~------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|

 F                        G7
|---13-13-13-13--12------|15~------15-13-----12~-----|
|---15-15-15-15--13--15--|17~----------------13~-----|
|--------------------14--|---------12-14-------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|



 LYRICS
**********
Emma eats bread and butter
Like a queen would have ostrich and cobra wine
We'll have satanic Christmas Eve [originally: "We'll casually take ecstasy"]
And play piano in the chateau lobby

     I've never done this
     Baby, be gentle
     It's my first time
     I've got you inside
     People are boring
     But you're something else completely
     Damn, let's take our chances

I wanna take you in the kitchen
Lift up your wedding dress someone was probably murdered in
So bourgeoisie to keep waiting
Dating for twenty years just feels pretty civilian

     I've never thought that
     Ever thought that once in my whole life
     You are my first time
     People are boring
     But you're something else I can't explain
     You take my last name

First time, you let me stay the night despite your own rules
You took off early to go cheat your way through film school
You left a note in your perfect script:
'Stay as long as you want', I haven't left your bed since

     I haven't hated all the same things
     As somebody else since I remember 
     What's going on for
     What are you doing with your whole life
     How about forever




*****************************************************************************************


3. __________________
  /                  /
 /  True Affection  /
/__________________/


 key:   C major
 time:  4/4
 tempo: Q=110 bpm


This song really escapes the notation format of generalizing the instruments
into bars of chords. This is because the harmonies or chords aren't spelled out
by any single instrument (but rather occur when the various synthesizers happen
to play in harmony), and because of the scarce use of distinct bass notes, which
leaves the harmonies ambiguous.


There is a clear structure of 4 bars repeating, though, and some recurring
chords:

  | F | G6 | Cmaj7 | Dm7 |


This is the most information I can give on this odd-one-out song, I am afraid.



 LYRICS
**********
When can we talk
With the face
Instead of using all these strange devices?
Seems like
You and I
Need to have a crazy conversation
Wouldn't be that hard
Get along so well
Sentence by sentence
It's a trial run
Let me show you how
Figure I can give you true affection

True affection
True affection
True affection
True affection

When can we talk
With the face
Instead of using all these strange devices?
Seems like
You and I
Need to have a crazy conversation

When can we talk
With the face
Figure I can give you true affection
Seems like
You and I
Need to have a crazy conversation

When can we talk
With the face
Figure I can give you true affection




*****************************************************************************************


4. ________________________________________________
  /                                                /
 /  The Night Josh Tillman Came to Our Apartment  /
/________________________________________________/


 key:   F major
 time:  4/4
 tempo: Q=99 bpm


Josh tunes his acoustic guitar one full step down (D G C F A D).

                   F          Bb/F         Bb         Bb/A
                 _xooo_      _x_o__      x__o_o      x_oo_o
                 ||||||      ||||●|      ||||●|      ||||●|
                 ||||||      ||●|||      ||●|||      |●||||
                 ●||||●      ●||||●      |●||||      ||||||
                 ||||||      ||||||      ||||||      ||||||

             Gm        Adim7         C7          Dm          A7
           xo___o      x____x      xoo___      o__ooo      x___o_
           ||||●|      |||●||      ||||●|      ||||||      ||●|||
           ||●●||      |●||||      |||●|●      |●●|||      |●|●|●
           ||||||      ||●|●|      ||||||      ||||||      ||||||
           ||||||      ||||||      ||||||      ||||||      ||||||


------------------------------------------------------------------------------



                    4/4
1.INTERLUDE:       | F       | Bb/F    | F       | Bb/F    |


   An electric guitar + glockenspiel play this melody in all the interludes.
  (For guitar in standard tuning, just play this 2 frets lower.)

         F                Bb/F             F                Bb/F
  :-----|----------------|----------------|3-------------3-|5---------------|
  :-----|3-------------3-|5-----------3-5-|------------5---|----------------|
  :-4-5-|------------4---|----------------|----------------|----------------|
  :-----|----------------|----------------|----------------|----------------|
  :-----|----------------|----------------|----------------|----------------|
  :-----|----------------|----------------|----------------|----------------|




1.VERSE:         | F       | F       | Bb Bb/A | Gm      | Gm      |

                 | Bb Bb/A | Gm      | Gm      |

                 | Adim7   | Bb Bb/A | Gm      | Gm      |

                 | C7      | Dm      | Dm      |

                 | C7      | Dm  A7  | Dm      | Dm      |

  " Oh, I just love the kind of woman who can walk over a man
    I mean like a god damn marching band
    She says, like, literally, music is the air she breathes
    And the malaprops make me want to fucking scream
    I wonder if she even knows what that word means
    Well, it's literally not that



2.INTERLUDE



2.VERSE            (Add one extra bar of Dm before the A7.)

  " Of the few main things I hate about her, one's her petty, vogue ideas
    Someone's been told too many times they're beyond their years
    By every half-wit of distinction she keeps around
    And now every insufferable convo
    Features her patiently explaining the cosmos
    Of which she's in the middle



BRIDGE:            | Bb      | C7      | Gm      | Gm      |

                   | Bb      | C7      | Gm      | Gm  Bb  |

                   | Gm      | Gm  Bb  | Gm      | C7      |

  " Oh my God, I swear this never happens
    Lately, I can't stop the wheels from spinning
    I feel so unconvincing
    And I fumbled with your buttons



3.INTERLUDE



3.VERSE

  " She blames her excess on my influence but gladly Hoovers all my drugs
    I found her naked with the best friend in the tub
    We sang "Silent Night" in three parts which was fun
    Till she said that she sounds just like Sarah Vaughan
    I hate that soulful affectation white girls put on
    Why don't you move to the Delta?



ENDING:            | Bb      | Bb      | A7      | Bb      ...

  " I obliged later on when you begged me to choke ya




*****************************************************************************************


5. _______________________________________
  /                                       /
 /  When You're Smiling and Astride Me   /
/_______________________________________/


 key:   C major
 time:  4/4
 tempo: 110 bpm


The chords are carried by the piano in this song, so there are no right chords.
I suggest you simply stay in standard tuning and play the chords any way you want.

------------------------------------------------------------------------------



A:          | Em7 | Em7 | Dm7 | Dm7 |

            | G7  | G7  | Am7 | Am7 |

            | Em7 | Em7 | Dm7 | Dm7 |

            | G7  | G7  | Am7 | Am7 |



B (3x):     | Em7 | Em7 | Dm7 | Dm7 |

            | G   | G   | Em  | Dm  |

            | G   | G   |

           "There's no need to fear me
            Darling, I love you as you are when you're alone
            I'll never try to change you
            As if I could, and if I were to, what's the part that I'd miss most?
            When you're smiling and astride me
            I can hardly believe I've found you, and I'm terrified by that



C (2x):     | Am  | G   | G   |

             Guitar lick:
              Am             G              G
            |-10b12~-------|--------------|--------------|
            |------------8-|-10b12~-------|--------------|
            |--------------|--------------|--------------|
            |--------------|--------------|--------------|
            |--------------|--------------|--------------|
            |--------------|--------------|--------------|



A



B (2x)     "I've got nothing to hide from you
            Kissing my brother in my dreams or finding, God knows, in my dreams
            You see me as I am, it's true
            Aimless, fake drifter, and the horny man-child models for to boot



C (3x)     "That's how you live free
            Truly see and be seen

           [Guitar lick 1st + 3rd time]



A


                        (2/4)
D:          | G   | G   | G   | Am  | Am  |

                        (2/4)
            | G   | G   | G   | C  ...




*****************************************************************************************


6. _________________________________________________________
  /                                                         /
 /  Nothing Good Ever Happens at the Goddamn Thirsty Crow  /
/_________________________________________________________/


 key:   C major
 time:  4/4, shuffled
 tempo: Q=72 bpm


Josh tunes his acoustic guitar one full step down (D G C F A D).
Both the strumming chords and the tabs in the ending part are for this tuning.

+----------------------------------------------------------------------------+



[Interlude]:   | C         | -         | G13       | -         |
                 x00232                  x05670 


               | C9        | -         | F         | -         |
                 x54550                  3x0003 




[Verse]:       | C         | -         | G13       | -         |
                 x00232                  x05670 


               | C9        | -         | F         | -         |
                 x54550                  3x0003 


               | Am        | E7        | C7        | Dm        |
                 x24432      242352      x00212      022000 


               | F7        | C7        | E7        | D7        |
                 323003      x00212      242352      022130 


               | Bm7(b5)   | -   C9    | F         | E7        |
                 x42000          x54550  3x0003      242352


               | Bm7(b5)   | -   C9    | F         | E7        |
                 x42000          x54550  3x0003      242352


    " Livin' it up
      Have it all
      Pull more women than any two men or a train can haul
      But my baby, she does something way more impressive than the Georgia crawl
      She blackens pages like a Russian romantic
      Gets down more often than a blow-up doll
      Why the long face?
      Blondie, I'm already taken
      Sorry
      I may act like a lunatic
      You think I'm fucking crazy, you're mistaken
      Keep moving




[Interlude]




[Verse]

    " On the road again
      For months at a time
      Doesn't take half that long for men about town to forget what's mine
      Now my genius can drink in silence
      She's gotta listen to your tired-ass lies
      I know it's hard to believe a good-hearted woman
      Could have a body that make your daddy cry
      Why the long face?
      Jerk off, your chance has been taken
      Good one
      You may think like an animal
      You try that cat-and-mouse shit you'll get bitten
      Keep moving




[Interlude]




[Interlude]:
-The upper guitar is another acoustic guitar.
-The lower guitar is an electric guitar with overdrive.

(F)           C                        C
:------------|------------------------|------------------------|
:------------|------------------------|------------------------|
:------------|------------5-------5---|------------5---7-5-----|
:------------|----------5-----------7-|----------5-------------|
:------------|--------8---------------|5-------8---------------|
:------------|------------------------|------------------------|
:
:3-----3-----|2-----------------------|------------2-----2-----|
:3-----3-----|3-----------------------|------------3-----3-----|
:0-----0-----|2-----------------------|------------2-----2-----|
:0-----0-----|0-----------------------|------------0-----0-----|
:x-----x-----|0-----------------------|------------0-----0-----|
:3-----3-----|------------------------|------------------------|


 G13                      G13
|------------------------|------------------------|
|------------------------|------------------------|
|------------------------|------------------------|
|------------5-------5---|------------5---7-5-----|
|----------5-----------7-|----------5-------------|
|--------8---------------|5-------8---------------|
|
|0-----------------------|------------0-----0-----|
|2-----------------------|------------2-----2-----|
|0-----------------------|------------0-----0-----|
|2-----------------------|------------2-----2-----|
|0-----------------------|------------0-----0-----|
|------------------------|------------------------|


 C9                       C9                       F
|------------------------|------------------------|------------:
|------------------------|------------------------|------------:
|------------5-------5---|------------5---7-5-----|------------:
|----------5-----------7-|----------5-----------7-|5-----------:
|--------8---------------|5-------8---------------|------------:
|------------------------|------------------------|------------:
|
|2-----------------------|------------2-----2-----|1-----------:
|1-----------------------|------------1-----1-----|0-----------:
|2-----------------------|------------2-----2-----|0-----------:  ring
|0-----------------------|------------0-----0-----|0-----------:  out
|0-----------------------|------------0-----0-----|x-----------:
|------------------------|------------------------|3-----------:




*****************************************************************************************


7. _____________________
  /                     /
 /  Strange Encounter  /
/_____________________/


 key:   B minor
 time:  4/4
 tempo: Q=94 bpm


-Josh has his acoustic guitar tuned one full step down (D G C F A D),
 and puts capo on the 4th fret.
 Playing live, though, they often transpose the song down to A minor,
 and he puts capo on the 2nd fret instead.

-The chord scheme is notated in the actual key of B minor.

-Here are the guitar chords (actual names above, relative names below):


     Bm       Bmmaj7       D          E9       Gmaj7        A        Gmmaj7
   xo___o     xo___o     x__o_o     x____o     x____o     _xooo_     x____o
   ||||●|     |||●●|     ||||●|     ||||||     ||||●|     ||||||     |||●●|
   ||●●||     ||●|||     ||●|||     ||||||     |||●||     ||||||     ||||||
   ||||||     ||||||     |●||||     ||||●|     |●●|||     ●||||●     |●●|||
   ||||||     ||||||     ||||||     ||●|||     ||||||     ||||||     ||||||
                                    |●|●||

    (Am       Ammaj7       C          D9       Fmaj7        G        Fmmaj7)


+------------------------------------------------------------------------------+



                    4/4
INTERLUDE:         | Bm       | Bmmaj7   | D        | E9       |

                   | Bm       | Bmmaj7   | D        | E9       |



VERSE:             | Bm       | Bmmaj7   | D        | E9       |

                   | Bm       | Bmmaj7   | D        | E9       |

                   | Gmaj7    | D        | A        | A        |

                   | Gmaj7    | D        | A        | A        |

                   | A        | A        | Gmaj7    |

   " Only ever be the girl who just almost died in my house
     Half naked, looking through your telephone
     Run you a bath and try hard not to freak out
     It's all free and too easy giving it away, giving it away
     It's not cheap but here I am giving it away, giving it away, giving it away




CHORUS:            | D        | D        | D        | D        |

                                                    (2/4)
                   | Gmaj7    | Gmaj7    | Gmmaj7   | D   |

                   | Gmaj7    | Gmaj7    | Gmmaj7   | Gmmaj7   |

   " Don't be my, don't be my, don't be my last strange encounter
     The moment you came too, I swore I would change
     Though neither one of us would leave unscathed
     At least we'll both go on living




INTERLUDE          (guitar solo)




VERSE

  " Wanna find somebody
    Not like this
    Yeah, I'm a decent person
    Little aimless
    It's all free and too easy, giving it away, giving it away
    It's not cheap but here I am, giving it away, giving it away, giving it away




CHORUS

  " Don't be my, don't be my, don't be my last strange encounter
    The moment you came too, I swore I would change
    Though neither one of us would leave unscathed
    At least we'll both go on living




INTERLUDE          (Play 2x; ring out on the last E9.)




*****************************************************************************************


8. ______________________
  /                      /
 /  The Ideal Husband   /
/______________________/


 key:   Dm minor
 time:  4/4, shuffled
 tempo: Q=134 bpm


Josh has his acoustic guitar tuned one full step down (D G C F A D).
(The chords names are notated in absolute terms.)


The song consists of two main parts, each of 4 bars.

[A]:
 D                D       F        G                Gm
|0---0---0-0-0-0-|0---0---3-3-3-3-|0---0---0-0-0-0-|0---0-0-0-0-0-0-|
|0---0---0-0-0-0-|0---0---0-0-0-0-|2---2---2-2-2-2-|1---1-1-1-1-1-1-|
|1---1---1-1-1-1-|1---1---0-0-0-0-|2---2---2-2-2-2-|2---2-2-2-2-2-2-|
|2---2---2-2-2-2-|2---2---0-0-0-0-|2---2---2-2-2-2-|2---2-2-2-2-2-2-|
|2---2---2-2-2-2-|2---2---x-x-x-x-|0---0---0-0-0-0-|0---0-0-0-0-0-0-|
|0---0---0-0-0-0-|0---0---3-3-3-3-|----------------|----------------|

[B]:
 Bb               Bb               G                Gm
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|0---0---0-0-0-0-|0---0-0-0-0-0-0-|
|1---1---1-1-1-1-|1---1-1-1-1-1-1-|2---2---2-2-2-2-|1---1-1-1-1-1-1-|
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|2---2---2-2-2-2-|2---2-2-2-2-2-2-|
|2---2---2-2-2-2-|2---2-2-2-2-2-2-|2---2---2-2-2-2-|2---2-2-2-2-2-2-|
|3---3---3-3-3-3-|3---3-3-3-3-3-3-|0---0---0-0-0-0-|0---0-0-0-0-0-0-|
|3---3---3-3-3-3-|3---3-3-3-3-3-3-|----------------|----------------|




 FORM
************

Intro:       1 bar of drums
             A  x 2


Verse:       A  x 2
             B  x 4
             B  x 2


Drum-Interlude:
 D                D                D
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|0---------------|----------------|
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|0---------------|----------------|
|1---1---1-1-1-1-|1---1-1-1-1-1-1-|1---DRUMS-------|----------------|
|2---2---2-2-2-2-|2---2-2-2-2-2-2-|2---------------|----------------|
|2---2---2-2-2-2-|2---2-2-2-2-2-2-|2---------------|----------------|
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|0---------------|----------------|


Intro:       A  x 2


Verse:       A  x 2
             B  x 4
             B  x 2


Bridge:      B  x 4


Intro:       A  x 4  (The electric guitar goes nuts.)


Ending:
(Live, the band make this ending twice as long.)
 D                D
|0---0---0---0---|0---0---0---0---:
|0---0---0---0---|0---0---0---0---:
|1---1---1---1---|1---1---1---1---:
|2---2---2---2---|2---2---2---2---:
|2---2---2---2---|2---2---2---2---:
|0---0---0---0---|0---0---0---0---:




 LYRICS
**********
Julian
He's gonna take my files

Every woman that I've slept with
Every friendship I've neglected
Didn't call when grandma died
I spend my money getting drunk and high
I've done things unprotected
Proceeded to drive home wasted
Bought things to win over siblings
I've said awful things, such awful things

And now
Now it's out
And now
Now it's out

Julian
He's gonna take my files

Telling people jokes to shut them up
Resenting people that I love
Sleep in 'til two then doin' shit
Just stay in bed and later lie 'bout it
Obsessing over greying hair
Knowing just what people wanna hear
Binging on unearned attention
I've said awful things, such awful things

And now
Now it's out
And now
Now it's out

I came by at seven in the morning
Seven in the morning, seven in the morning
I came by at seven in the morning
I said, "Baby, I'm finally succumbing"
Said something dumb like "I'm tired of running
Tired of running, tired of running"
Let's put a baby in the oven
Wouldn't I make the ideal husband?




*****************************************************************************************


9. _____________________
  /                     /
 /  Bored in the USA   /
/_____________________/


 key:   D minor
 time:  4/4
 tempo: Q=105 bpm


For a complete transcription of the piano part, check out my pro tab:
http://tabs.ultimate-guitar.com/f/father_john_misty/bored_in_the_usa_guitar_pro.htm


When performing this solo, Josh plays this on acoustic guitar
tuned down one full step (D G C F A D).


                   Dm          A7          Bb          C7
                 o__ooo      x___o_      ___o_o      xoo___
                 ||||||      ||●|||      ||||●|      ||||●|
                 |●●|||      |●|●|●      ||●|||      |||●|●
                 ||||||      ||||||      ●●||||      ||||||
                 ||||||      ||||||      ||||||      ||||||

             F          F(#5)        F7          Gm7         Bø
           _xooo_      _x_oo_      _x_oo_      xo_o_o      x__ooo
           ||||||      ||●|||      ||||||      ||||●|      ||||||
           ||||||      ||||||      ||||||      ||●|||      ||●|||
           ●||||●      ●||||●      ●|●||●      ||||||      ||||||
           ||||||      ||||||      ||||||      ||||||      |●||||


+----------------------------------------------------------------------------+



              4/4
[A1]         | Dm    | -     | A7    | -     |

             | Bb    | -     | C7    | Dm    | -     |


             | Dm    | -     | A7    | -     |
 
             | Bb    | -     | C7    | Dm    | -     |


             | A7    | Bb    | -     |

             | C7    | Bb    | -     |

     How many people rise and say:
     "My brain's so awfully glad to be here for yet another mindless day"?
     Now, I've got all morning to obsessively accrue
     A small nation of meaningful objects, and they've gotta represent me too 
     By this afternoon I'll live in debt 
     And by tomorrow be replaced by children 




[A2]

     How many people rise and think:
     "Oh, good the stranger's body's still here; our arrangement hasn't changed"
     Now, I've got a lifetime to consider all the ways 
     I grown more disappointing to you as my beauty warps and fades 
     I suspect you feel the same 
     When I was young I dreamt of a passionate obligation to a roommate 




[B]          | F     | F(#5) | F     | F7    |

             | Bb    | -     | C7    | Gm7   | -     |

             | Bø    | -     | Bb    | -     |

     Is this the part where I get all I ever wanted?
     Who said that?
     Can I get my money back?




                    (2/4)
[C1]       || F     | C7    | Dm    | Bb    ||(3x)

     Just a little bored in the USA
     Oh, just a little bored in the USA
     Save me, white Jesus!
     Bored in the USA, oh




[D]          | A7    | -     | Bb    | -     |

             | F     | -     | C7    | -     |

             | Bø    | -     | Bb    | -     | Bø    | -     |

     They gave me useless education
     A sub-prime loan on a craftsman home
     Keep my prescriptions filled
     Now I can't get off
     But I can kind of deal, oh, with being




                     (2/4)
[C2]        || F     | C7    | Dm    | Bb    ||(4x)

             | Bø    | -     | Bb    ...

     Bored in the USA
     Oh, just a little bored in the USA
     Save me, President Jesus
     I'm bored in the USA
     How did it happen?
     Bored in the USA
     oh...




*****************************************************************************************


10._____________
  /             /
 /  Holy Shit  /
/_____________/


  key:   A major, B major
  time:  4/4, shuffled
  tempo: Q=130 bpm


-Josh tunes his acoustic guitar one full step down (D G C F A D),
 and starts out with capo on the 4th fret.
-You could also just remain in standard tuning and put capo on the 2nd fret.

-The guitar chord names are therefore just notated relative to the capo (in G major).
 The actual/absolute chord names are notated in the bottom.

+------------------------------------------------------------------------------------+



INTRO
-This intro indicates both the strumming pattern and all the chord shapes used.
 4/4
 G                Bm               E7(b9)/G#        C
|3-----3-3-3-3-3-|2-----2-2---2-2-|0-----0-0-0-0-0-|0-----0-0---0-0-|
|0-----0-0-0-0-0-|3-----3-3---3-3-|3-----3-3-3-3-3-|1-----1-1---1-1-|
|0-----0-0-0-0-0-|4-----4-4---4-4-|4-----4-4-4-4-4-|0-----0-0---0-0-|
|0-----0-0-0-0-0-|4-----4-4---4-4-|3-----3-3-3-3-3-|2-----2-2---2-2-|
|x---------------|2-----2-2---2-2-|x---------------|3-----3-3---3-3-|
|3-----3-3-3-3-3-|----------------|4-----4-4-4-4-4-|3-----3-3---3-3-|

 Em               C#m7(b5)         C                D9/F#            %
|0-----0-0---0-0-|0-----0-0---0-0-|0-----0-0---0-0-|0---0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|
|0-----0-0---0-0-|0-----0-0---0-0-|1-----1-1---1-1-|1---1-1-1-1-1-1-|1-1-1-1-1-1-1-1-|
|0-----0-0---0-0-|0-----0-0---0-0-|0-----0-0---0-0-|2---2-2-2-2-2-2-|2-2-2-2-2-2-2-2-|
|2-----2-2---2-2-|2-----2-2---2-2-|2-----2-0h2-2-2-|0---0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|
|2-----2-0h2-2-2-|4-----4-4---4-4-|3-----3-3---3-3-|0---0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|
|0-----0-0---0-0-|----------------|3-----3-3---3-3-|2---2-2-2-2-2-2-|2-2-2-2-2-2-2-2-|




VERSE 1

||: G         | Bm        | E7(b9)/G# | C         |
  | Em        | C#m7(b5)  | C         | D9/F#     :|[2x]

   Ancient holy wars
   Dead religions, holocausts
   New regimes, old ideals
   That's now myth, that's now real
   Original sin, genetic fate
   Revolutions, spinning plates
   It's important to stay informed
   The commentary to comment on




CHORUS 1

  | G         | Bm        | C         | Em        |
  | Em        | C#m7(b5)  | C         | G         |

   Oh, and no one ever really knows you, and life is brief
   So I've heard, but what's that gotta do with this black hole and me?

  | Em        | C#m7(b5)  | C         | Em        |
  | Em        | C#m7(b5)  | C         | D9/F#     | %         |

   Oh...




VERSE 2

||: G         | Bm        | E7(b9)/G# | C         |
  | Em        | C#m7(b5)  | C         | D9/F#     :|[2x]

   Age-old gender roles
   Infotainment, capital
   Golden bowls and mercury
   Bohemian nightmares, dust bowl chic
   This documentary's lost on me
   Satirical news, free energy
   Mobile lifestyle, loveless sex
   Independence, happiness




CHORUS 2

  | G         | Bm        | C         | Em        |
  | Em        | C#m7(b5)  | C         | G         |

   Oh, and no one ever knows the real you, and life is brief
   So I've heard, but what's that gotta do with this atom bomb and me?

  | Em        | C#m7(b5)  | C         | Em        |
  | Em        | C#m7(b5)  | C         | D9/F#     | %         |

   Oh...




STRINGS INTERLUDE of 6 bars
-After this chaotically intensifying interlude, the song resumes 2 semi-tones higher,
 so utilize this interlude to raise the capo 2 fret.




VERSE 3

||: G         | Bm        | C         | Em        |
  | Em        | C#m7(b5)  | C         | D9/F#     :|[2x]

   Coliseum families
   The golden era of TV
   Eunuch sluts, consumer slaves
   A rose by any other name
   Carbon footprint, incest streams
   Fuck the mother in the green
   Planet cancer, sweet revenge
   Isolation, online friends




CHORUS 3

||: G         | Bm        | C         | Em        |
  | Em        | C#m7(b5)  | C         | D9/F#     :|[2x]

   Oh, and love is just an institution based on human frailty
   What's your paradise gotta do with Adam and Eve?
   Maybe love is just an economy based on resource scarcity
   But what I fail to see is what that's gotta do with you and me

||: Em        | C#m7(b5)  | C         | Em        :|[repeat fading out]

   Oh...



+--------------------------------------------------------------------------------+

-These are the actual/absolute chords, for other instruments:


INTRO          | A          | C#m        | F#7(b9)/A# | D          |
               | F#m        | D#m7(b5)   | D          | E9/G#      | %          |


VERSE 1      ||: A          | C#m        | F#7(b9)/A# | D          |
               | F#m        | D#m7(b5)   | D          | E9/G#      :|[2x]


CHORUS 1       | A          | C#m        | D          | F#m        |
               | F#m        | D#m7(b5)   | D          | A          |

               | F#m        | D#m7(b5)   | D          | F#m        |
               | F#m        | D#m7(b5)   | D          | E9/G#      | %          |


VERSE 2      ||: A          | C#m        | F#7(b9)/A# | D          |
               | F#m        | D#m7(b5)   | D          | E9/G#      :|[2x]


CHORUS 2       | A          | C#m        | D          | F#m        |
               | F#m        | D#m7(b5)   | D          | A          |

               | F#m        | D#m7(b5)   | D          | F#m        |
               | F#m        | D#m7(b5)   | D          | E9/G#      | %          |


STRINGS INTERLUDE of 6 bars, modulating from A major to B major


VERSE 3      ||: B          | D#m        | E          | G#m        |
               | G#m        | Fm7(b5)    | E          | F#9/A#     :|[2x]


CHORUS 3       | B          | D#m        | E          | G#m        |
               | G#m        | Fm7(b5)    | E          | F#9/A#     |

               | B          | D#m        | E          | G#m        |
               | G#m        | Fm7(b5)    | E          | B          |

             ||: G#m        | Fm7(b5)    | E          | G#m        :|[repeat fading out]




*****************************************************************************************


11._______________________________
  /                               /
 /  I Went to the Store One Day  /
/_______________________________/


  key:   Eb major
  time:  4/4
  tempo: Q=75 bpm


-Josh tunes his acoustic guitar one full step down (D G C F A D).
-You could also remain in standard tuning, put capo on the 3rd fret,
 and then voice the chords on the lower strings (E A D G) instead.

+----------------------------------------------------------------------------+



FOREPLAY
-Play these 8 bars for the verses as well.
-In terms of finger picking, the most efficient picking is to use one finger
 for each string, whatever fingers you prefer using. Josh uses T I M R.


 Ab6                              Adim7
|--------------------------------|--------------------------------|
|--3-------3-------3-------3-----|--3-------3-------3-------3-----|
|----0-------0-------0-------0---|----1-------1-------1------(0)--|
|------3-------3-------3-------3-|------3-------3-------3------(0)|
|1-------1-------1-------1-------|2-------2-------2-------2-------|
|--------------------------------|--------------------------------|
                            (The (0) simply mean the open strings being
                              picked when Josh switches between chords.)

 Eb/Bb                            Bb              Bb7
|--------------------------------|--------------------------------|
|--1-------1-------1-------1-----|--1-------1-------1-------1-----|
|----2-------2-------2------(0)--|----0-------0-------3------(0)--|
|------3-------3-------3------(0)|------2-------2-------2------(0)|
|3-------3-------3-------3-------|3-------3-------3-------3-------|
|--------------------------------|--------------------------------|


 Eb                               G7
|--------------------------------|--------------------------------|
|--1-------1-------1-------1-----|--2-------2-------2-------2-----|
|----2-------2-------2-------2---|----0-------0-------0-------0---|
|------3-------3-------3------(0)|------2-------2-------2------(0)|
|3-------3-------3-------3-------|0-------0-------0-------0-------|
|--------------------------------|--------------------------------|


 Adim7                            Ab6
|--------------------------------|--------------------------------|
|--3-------3-------3-------3-----|--3-------3-------3-------3-----|
|----1-------1-------1------(0)--|----0-------0-------0-------0---|
|------3-------3-------3-------3-|------3-------3-------3-------3-|
|2-------2-------2-------2-------|1-------1-------1-------1-------|
|--------------------------------|--------------------------------|




VERSE 1
" We met in a parking lot
  just buying coffee and cigarettes, firewood and bad wine long since gone
  but I'm still drunk and hot, wide awake and breathing hard



VERSE 2
" And now, in just one year's time
  I've become jealous, rail-thin, prone to paranoia when I'm stoned.
  Cause isn't true love 'Someone oughta put me in a home'?



VERSE 3
" Say, do you wanna get married,
  and put an end to our endless progressive tendency to scorn
  provincial concepts like your dowry and your daddy's farm?


-Play the first 7 bars as usual; then this 8th bar instead, before the bridge:

 Ab6
|--------------------------------:
|--3-------3---------------------:
|----0-------0-------------------:     (The : are used to indicate
|------3-------3-----------------:      a freer time between bars.)
|1-------1-------1---------------:
|--------------------------------:
                    " For love to



BRIDGE
 Bb7                              Bb7
:--------------------------------:--------------------------------|
:--------------------------------:--------------------------------|
:3-------------------------------:3-------------------------------|
:2-------------------------------:2-------------------------------|
:3-------------------------------:3-------------------------------|
:--------------------------------:--------------------------------|
 find                   us of all people                   I never


 Eb                               Adim7
|--------------------------------|--------------------------------|
|--1-------1-------1-------1-----|--3-------3-------3-------3-----|
|----2-------2-------2-------2---|----1-------1-------1-------1---|
|------3-------3-------3------(0)|------3-------3-------3------(0)|
|3-------3-------3-------3-------|2-------2-------2-------2-------|
|--------------------------------|--------------------------------|
 thought it      be      so       simple


 G7                                G7
|--------------------------------||--------------------------------|
|--2-------2-------2-------2-----||--2-------2-------2-------2-----|
|----0-------0-------0-------0---||----0-------0-------0-------0---|
|------2-------2-------2-------2-||------2-------2-------2-------2-|
|0-------0-------0-------0-------||0-------0-------0-------0-------|
|--------------------------------||--------------------------------|
                                   ooh...


 Adim7                            Ab6
|--------------------------------|--------------------------------|
|--3-------3-------3-------3-----|--3-------3-------3-------3-----|
|----1-------1-------1------(0)--|----0-------0-------0-------0---|
|------3-------3-------3-------3-|------3-------3-------3-------3-|
|2-------2-------2-------2-------|1-------1-------1-------1-------|
|--------------------------------|--------------------------------|




VERSE 4 (INSTRUMENTAL)
" ooh...



VERSE 5
" Let's buy a plantation house
  and let the yard grow wild till we don't need the signs that say 'Keep out'
  I've got some money left, and it's cheaper in the South



VERSE 6
" I need someone I can trust
  to protect me from our seven daughters when my body says 'Enough!'
  Don't let me die in a hospital, I'll save the big one for the last time we make love



ENDING
 Abm                              Eb
|--------------------------------|--------------------------------|
|--2-------2-------2-------2-----|--1-------1-------1-------1-----|
|----3-------3-------3-------3---|----2-------2-------2-------2---|
|------3-------3-------3------(0)|------3-------3-------3------(0)|
|1-------1-------1-------1-------|3-------3-------3-------3-------|
|--------------------------------|--------------------------------|
               " Insert        here 


 G7                               Adim7
|--------------------------------|--------------------------------|
|--2-------2-------2-------2-----|--3-------3-------3-------3-----|
|----0-------0-------0-------0---|----1-------1-------1-------1---|
|------2-------2-------2-------2-|------3-------3-------3------(0)|
|0-------0-------0-------0-------|2-------2-------2-------2-------|
|--------------------------------|--------------------------------|
       a sentiment,  RE:  'our golden               years'


 Ab6                              Abm
|--------------------------------:--------------------------------|
|--3-------3---------------------:2-------------------------------|
|----0-------0-------------------:3-------------------------------|
|------3-------3-----------------:3-------------------------------|
|1-------1-------1---------------:1-------------------------------|
|--------------------------------:--------------------------------|
                        All cause I       went    to      the


 Eb/Bb                            Bb
|--------------------------------|--------------------------------|
|--1-------1-------1-------1-----|--1-------1-------1-------1-----|
|----2-------2-------2-------2---|----0-------0-------0-------0---|
|------3-------3-------3------(0)|------2-------2-------2------(0)|
|3-------3-------3-------3-------|3-------3-------3-------3-------|
|--------------------------------|--------------------------------|
 store                            one                           day


 Eb/Bb                            Bb                                     Eb
|--------------------------------|--------------------------------------:------:
|--1-------1-------1-------1-----|--------------------------------------:-1^---:
|----2-------2-------2------(0)--|0^------------------------------------:-2^---:
|------3-------3-------3---------|2^------------------------------------:-3^---:
|3-------3-------3-------3-------|3^------------------------------------:-3^---:
|--------------------------------|--------------------------------------:------:
                                     "I've seen you around, what's your name?"




*****************************************************************************************

 Jon Sebastian Frederiksen – 15th /February /15
 Just mail me at [email protected] with questions, comments and corrections!

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