RUSH Closer To The Heart guitar tab

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Closer To The Heart by Rush RUSH - Closer To The Heart guitar tab From [email protected] Thu May 6 10:47:30 1993 Received: from freenet.carleton.ca by snowhite.cis.uoguelph.ca (5.64/1.35) id AA02304; Thu, 6 May 93 10:47:30 -0400 Received: by freenet.carleton.ca (4.1/SMI-4.0) id AA29543; Thu, 6 May 93 10:46:00 EDT Date: Thu, 6 May 93 10:46:00 EDT Message-Id: <[email protected]> From: [email protected] (Steve Portigal) To: [email protected] Subject: Re: TAB: Closer to the Heart - Rush Reply-To: [email protected] Status: O In a previous article, [email protected] () says: > >Guitar tabs to the song "Closer To The Heart" >Transcription partially by Joe Kung and the rest reproduced from >Guitar, Oct 1986. > > > >Intro: > >---5-----7-----4-----5-----4---0--- >-----0-----0-----0-----0-----7----- >-------6-----6-----6-----6-------6- >----------------------------------- >----------------------------------- >----------------------------------- > > >-5-----7-----4-----5-----4---0----- >---0-----0-----0-----0-----7------- >-----------6-----6-----6-------6--- >-----7----------------------------- >----------------------------------- >----------------------------------- >[repeat 3 times] > > > G6 D Fmaj7 >--------0-----------0-----------0----- >------3---3-------3---3-------1---1--- >----4-----------2-----------2-------2- >--5---------5>4---------4>3---------3- >-------------------------------------- >-------------------------------------- > >Asus2 Asus4 A >----------------------_--0---------- >-0-----4-----0---2---0-2----0--4--2- >-2-----2-----2--------------2--2--2- >-2-----2-----2-----2--------2--2--2- >-0-----0-----0--------------0--0--0- >------------------------------------ > >Verse: The first two bars, there's plain rythm on >guitar: >A G | D G A | (this lasts until ".. who start. ... to") > >5-5-5--5-3--3---3-3-----| >5-5-5--5-3----3-----3-3-| >6-6-6--6-4----------4---| >------------------------| >------------------------| >------------------------| > >During "Closer To The Heart" >2-2-------3-------3--- >3-3-2-2-2-3-----3---3- >2-2-2-2-2-0---0------- >0-0-2-2-2-0-0--------- >----0-0-0-X----------- >----------3----------- >[repeat twice] > >Then repeat this once. Now there's a little interlude, with the bells. >Bells for guitar: > >10---------------10------ >---10--8-7-8-10-----10-8- >11---------------11------ >---11--9-7-9-11-----11-9- >------------------------- >------------------------- > >Once again a verse, this time by a distorted electric, and then the solo. >On the studio version there are two guitars. Live, Alex uses a harmonizer >to emulate this. For a change, the bars are represented here. > >Solo: >10->-(12)-!-|-10-!-|-8-!-|--------------------------------------------- >10->-(12)-!-|-10-!-|-8-!-|--------------------------------------------- >------------|------|-9-!-|--------------------------------------------- >------------|------|-----|--------------------------------------------- >------------|------|-----|--------------------------------------------- >------------|------|-----|--------------------------------------------- > >(Here, Alex plays all traids in 8th notes. The R is a rest of the same >length) >-----------7-R---9-R-10---9-10-12|10-12-14---12-14-15---12-14-15---14-15-17| >7-R-8---10-------7-R--8----------|-----------------------------------------| >7-R-7----7-9-R------------9-10-10|11---------------------------------------| >---------------------------------|-----------------------------------------| >---------------------------------|-----------------------------------------| >---------------------------------|-----------------------------------------| > >17->-(19)!---17->-(19)--17->-(19)|-17->-(19)-!->-17--12-14-15--------| >---------------------------------|-----------------------------------| >---------------------------------|-----------------------------------| >---------------------------------|-----------------------------------| >---------------------------------|-----------------------------------| >---------------------------------|-----------------------------------| > >15->-(17)--15->-(16)--15->-(17)!-|-----------------------------------| >---------------------------------|-15->-(17)->-15--15--15-!----------| >---------------------------------|-----------------------------------| >---------------------------------|-----------------------------------| >---------------------------------|-----------------------------------| >---------------------------------|-----------------------------------| > >-------------------------|-15-14-15-14-15-14-15-14-------------------| >17->-(19)->-17--17--17-!-|-15-14-15-14-15-14-15-14-------------------| >-------------------------|-------------------------------------------| >-------------------------|-------------------------------------------| >-------------------------|-------------------------------------------| >-------------------------|-------------------------------------------| > >15->-(17)-!-|-----------10-----------|-------------------------------| >15->-(17)-!-|-10->-(12)-10---10--8-7-|-------------------------------| >------------|--9->-(11)-------9--7-6-|-9-7-9->-(11)--7!--------------| >------------|------------------------|-9-7-9->-(11)--7!--------------| >------------|------------------------|-------------------------------| >------------|------------------------|-------------------------------| > >---------------------------------------------------------------------| >-_-------------------------------------------------------------------| >4_0-2-2-4->-(5)-4->-(5)!-4---4->-(5)->-4-----------------------------| >4-0-2-2-4->-(5)-4->-(5)!-4---4->-(5)->-4-----------------------------| >---------------------------------------------------------------------| >---------------------------------------------------------------------| > >--------3>5-| >3-3-3-2-4>5-| >--------5>6-| >7-7-7-7-----| >------------| >------------| > >Now there's the interlude, verse and chorus. The fade out is interesting >enough to display. Chords are displayed above the bars. Lyrics are again >"Closer To The Heart" on the D - A - G progression. >D A G >------------------|-------------------------------| >3>(5)--3>-(5)->-3-|-3->-(5)--3--3>(5)-3>(5)-3>(5)-| >5>(7)--5>-(7)->-5-|-5->-(7)--5--5>(7)-5>(7)-5>(7)-| >------------------|-------------------------------| >------------------|-------------------------------| >------------------|-------------------------------| > >D A G >-------------------------------|-------------------------------------| >3->-(5)--3-3>(5)--3>(5)--3>(5)-|-3>(5)--3-3-3>(5)---X-7--------------| >5->-(7)--5-5>(7)--5>(7)--5>(7)-|-5>(7)--5-5-5>(7)---X-9--------------| >-------------------------------|-------------------------------------| >-------------------------------|-------------------------------------| >-------------------------------|-------------------------------------| >D A G >--------------------|------------------------------------------------| >7>-(9)-7>-(9)-7-7-!-|-7-7-7-7---7-7-7-7-7----------------------------| >9>(11)-9>(11)-9-9-!-|-9-9-9-9---9-9-9-9-9--17->-(19)-----------------| >--------------------|------------------------------------------------| >--------------------|------------------------------------------------| >--------------------|------------------------------------------------| > >D A G >--------------------------------|------------------------------------| >-15--15->(17)->(16)->(17)->(16)-|->(17)->(16)->(17)->(16)->(17)-15-15| >-----17->(19)->(18)->(19)->(18)-|->(19)->(18)->(19)->(18)->(19)-17-17| >--------------------------------|------------------------------------| >--------------------------------|------------------------------------| >--------------------------------|------------------------------------| > >Begin fade >D A G >-----------------------------|--------------------------------------- >15->(17)--15->(17)--15-15-15-|-15->(17)-15->(17)-15-15->(17)-15------ >17->(19)--17->(19)--17-17-17-|-17->(19)-17->(19)-17-17->(19)-17------ >-----------------------------|--------------------------------------- >-----------------------------|--------------------------------------- >-----------------------------|--------------------------------------- > >D A G >17->(19)!-17->(19)!-17->(19)!-|-17->(19)!-17-17->-(19)!-17->(19)-17->(19)| >20->(22)!-20->(22)!-20->(22)!-|-20->(22)!-20-20->-(22)!-20->(22)-20->(22)| >------------------------------|------------------------------------------| >------------------------------|------------------------------------------| >------------------------------|------------------------------------------| >------------------------------|------------------------------------------| > >D A G >17->(19)!-17-17->(19)!-17-17->(19)!-|->(18)->(19)->(18)->(19)-17->(19)! >20->(22)!-20-20->(22)!-20-20->(22)!-|->(21)->(22)->(21)->(22)-20->(22)! >------------------------------------|---------------------------------! >------------------------------------|---------------------------------! >------------------------------------|---------------------------------! >------------------------------------|---------------------------------! > >17->(19)--17--17->(19)--17--17->(19)-| >20->(22)--20--20->(22)--20--20->(22)-| >-------------------------------------| >-------------------------------------| >-------------------------------------| >-------------------------------------| > >-- >Legend: > >| - A pair of these indicate a part of music, not the usuals bars. >: - Indicates that a part is to be repeated. This may be ommited, you should > hear it too. >_ - Indicates a hammer-on or pull-off (You should know which is appropriate) >> - Indicates a bend-up or down or a slide. With a bend, the note to bend to > is between '(' and ')'. Use the whammy for a downbend. With a slide, the > follow-up note is the one to be slid to. >! - Indicates vibrato. >^ - Indicates a tapped harmonic. Is printed below the note. >. - Under the strings, it indicates the note is staccato (short). > - Indicates a general slide downwards from note, to no note in particular. >AH - Indicates adding artificial harmonic with pick hand. > >---- >For corrections or questions on the tabs, contact the author. If no e-mail >address is included, contact Frank or Mario, addresses below. Contact Frank >for guitar tabs, and Mario for bass tabs. > >For remarks, suggestions or additions on the tab 'archive', contact: > >Frank (guitar) or Mario (bass) >([email protected]) ([email protected]) > >HAPPY PLAYING!! > -- +----------------------------------------------------------------------------+ | Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1 | | email: [email protected] Phone: (519) 824-4120 ext 3580 | | He's big, he's purple, and he's a huckstering spokesdinosaur! |

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